Search results
Results from the WOW.Com Content Network
[39] [40] When the colonial European officials began arriving in India, the Kathak court entertainment they witnessed was a synthesis of the ancient Indian tradition and Central Asian-Persian dance form, and the Kathak dance performers were called the "nautch girls" (or natch, a derivative of the more difficult to pronounce Sanskrit natya). [15 ...
Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Aditi Mangaldas (born 1960) is a Kathak dancer and choreographer, who is known for her classical Kathak as well as 'contemporary dance based on kathak" repertoire. [1] Mangaldas is hailed as one of the leading dancers in the field of Kathak in India as well as across the world. [2] Mangaldas has trained under Kumudini Lakhia and Pundit Birju ...
Kumudini Lakhia (born 17 May 1930) is an Indian Kathak dancer and choreographer based in Ahmedabad, Gujarat, [1] where she founded Kadamb School of Dance and Music, an institute of Indian dance and music in 1967.
Prerana Shrimali is a senior dancer of Jaipur Gharana of Kathak. [1] Born in Banswara in Rajasthan, Shrimati Prerana Shrimali was initiated in Kathak dance by Guru Shri Kundan lal Gangani in Jaipur. [2] Later, she was groomed in the art at Kathak Kendra, New Delhi, under the same Guru late Shri Kundan Lal Gangani of the Jaipur gharana.
Due to different circumstances of her learning, geographical, intellectual, temporary, among others, Rohini could experiment freely in Kathak, applying her musical and intellectual interests. [7] Bhate founded the Nrityabharati Kathak Dance Academy at Pune in 1947. [1] Over the last six decades she trained hundred of dancers from her academy. [3]
The term is derived from the Hindi word padhna, meaning "to read, study or recite". [2] Padhant is closely associated with the percussion instrument tabla and the classical dance Kathak , and the recitation of rhythmic patterns before playing them is considered an art in itself. [ 3 ]