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Dante is the product name for a combination of software, hardware, and network protocols that delivers uncompressed, multi-channel, low-latency digital audio over a standard Ethernet network using Layer 3 IP packets. [5] Developed in 2006 by the Sydney-based Audinate, Dante builds on previous audio over Ethernet and audio over IP technologies.
It is a layer 3 protocol suite based on existing standards and is designed to allow interoperability between various IP-based audio networking systems such as RAVENNA, Wheatnet, Livewire, Q-LAN and Dante. AES67 promises interoperability between previously competing networked audio systems [2] and long-term network interoperation between systems ...
Gianni Schicchi de' Cavalcanti was a 13th-century Italian knight, a Florentine historical figure mentioned by Dante in the Inferno, Canto XXX. In that canto, Dante visits the Circle of Impersonators and sees a man savagely attacking another: he is told that the attacker is Schicchi, condemned to Hell for impersonating Buoso Donati and making Donati's will highly favorable to Schicchi.
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
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Liszt had been sketching themes for the work since the early 1840s. [4] The French poet Joseph Autran recalled that in summer 1845, Liszt improvised for him "a passionate and magnificent symphony upon Dante's Divine Comedy" on the organ of the empty Marseille Cathedral at midnight, [5] [6] and later invited Autran to collaborate with him on a Dante oratorio or opera, which the poet failed to ...