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In 1990, Librarian of Congress James H. Billington presented Louisiana congresswoman Lindy Boggs with "three gifts" from the collection of the Library of Congress, including "a facsimile of sheet music for a 1935 piece, 'Louisiana Fairy Tale,' accompanied by a cassette of the music with Fats Waller on piano and vocal".
Little Boy Blue, Come blow your horn. The sheep's in the meadow, The cow's in the corn. Where is the boy Who looks after the sheep? He's under the haystack,
The song is widely used as a running cameo in The Adventures of Rocky and Bullwinkle and Friends, usually with the excerpt "Many brave hearts are asleep in the deep, so beware, beware". The first few lines, referred to as "Stormy the Night" are sung in Act 2, Scene 16 of Aufstieg und Fall der Stadt Mahagonny by Bertolt Brecht and Kurt Weill.
The song's title is a reference to the unrelated song "Outside a Broken Phone Booth with Money in My Hand" by Bruce Cockburn, from his 1978 album, Further Adventures Of. [5] [6] Primitive Radio Gods frontman Chris O'Connor stated that he was struggling to name his new song, so he picked up Further Adventures Of and adapted the title "Standing Outside a Broken Phone Booth with Money in My Hand ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The Little Boy Lost illuminated drawing "The Little Boy Lost" is a simple lyric poem written by William Blake.This poem is part of a larger work titled Songs of Innocence which was published in the year 1789.
Original sheet music cover "Remember" is a popular song about nostalgia [1] by Irving Berlin, published in 1925.The song is a popular standard, recorded by numerous artists.. In the lyric, Berlin uses an interesting poetic technique by extending the sound of the word "forgot" into "forget me not" then placing the original word (forgot) and the base form of its opposite (remember) at the end of ...
Thomas Smith of NME stated that the musical experimentation on When We All Fall Asleep, Where Do We Go? was best represented by "Xanny". [17] While likening the track's bridge to the works of the Beatles, Variety 's Chris William saw the song as "tragicomic": "[I]t's anti-drug, in an amusing, WTF-is-wrong-with-my-contemporaries kind of way". [18]
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