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"The Letter That Johnny Walker Read" is a song written and recorded by the American country music band Asleep at the Wheel. It was released in August 1975 as the lead single from their album Texas Gold. The song's title is a reference to the Johnnie Walker "Red Label" Scotch whisky.
It uses a chord pattern of E7-A-E7-A-D-G on the verses, and B7-C-D-G twice on the chorus. [ 2 ] The lyrics feature a narrator who has broken up with a tumultuous romantic partner: "Just when I thought that things would get better / Right through the door come a tear-stained letter".
The word hypnagogia is sometimes used in a restricted sense to refer to the onset of sleep, and contrasted with hypnopompia, Frederic Myers's term for waking up. [2] However, hypnagogia is also regularly employed in a more general sense that covers both falling asleep and waking up.
Guitar Songs EP by Billie Eilish Released July 21, 2022 Recorded 2022 Length 8: 17 Label Darkroom Interscope Producer Finneas O'Connell Billie Eilish chronology Happier Than Ever (2021) Guitar Songs (2022) Hit Me Hard and Soft (2024) Billie Eilish singles chronology "Male Fantasy" (2021) "TV" / "The 30th" (2022) " Hotline (Edit) " (2023) Guitar Songs is the second extended play (EP) [a] by ...
He went home, only to discover that the people there did not know him. Finally, he encountered his younger brother, who had become an old man, and learned that he had been asleep in the cave for fifty-seven years. [20] [21] According to the different sources that Diogenes relates, Epimenides lived to be 154, 157, or 299 years old. [22]
The title was borrowed from the book of the same title by Angela Davis, rephrasing the closing line of James Baldwin's letter to her of November 19, 1970: "...if they take you in the morning, they will be coming for us that night". From its first line the song attacks unjust law in the forms of "apartheid, internment, conscription, partition ...
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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.