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For example, one could move the pitch of every note up by a perfect fifth, keeping the tempo the same. One can view this transposition as "pitch shifting", "shifting" each note up 7 keys on a piano keyboard, or adding a fixed amount on the Mel scale, or adding a fixed amount in linear pitch space. One can view the same transposition as ...
This resolution is a measure of time relative to tempo since the tempo defines the length of a quarter note and so the duration of each pulse. The resulting PPQN per MIDI-Clock is thus related to the TimeBase in Microseconds defined as 60.000.000 / MicroTempo = Beats per minute .
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
A tempo map is a part of a MIDI file. Musical events occur as a succession of events in time, whose speed is tempo. Music also organizes these according to a framework called meter, by partitioning time into patterns of "strong" and "weak" beats. MIDI's tempo map specifies the speed at which a file's events are transmitted within this framework ...
Tempo comodo – at a comfortable speed; Tempo di... – the speed of a ... (such as Tempo di valse (speed of a waltz, . ≈ 60 bpm or ≈ 126 bpm), Tempo di marcia (speed of a march, ≈ 120 bpm)) Tempo giusto – at a consistent speed, at the 'right' speed, in strict tempo; Tempo primo – resume the original (first) tempo
The delay setting determines the length of silence between hitting a note and the attack. Some software synthesizers, such as Image-Line's 3xOSC (included with their DAW FL Studio) have DAHDSR (delay, attack, hold, decay, sustain, release) envelopes. A common feature on many synthesizers is an AD envelope (attack and decay only).
Latency refers to a short period of delay (usually measured in milliseconds) between when an audio signal enters a system, and when it emerges.Potential contributors to latency in an audio system include analog-to-digital conversion, buffering, digital signal processing, transmission time, digital-to-analog conversion, and the speed of sound in the transmission medium.
Research in music cognition has shown that time as a subjective structuring of events in music, differs from the concept of time in physics. [2] Listeners to music do not perceive rhythm on a continuous scale, but recognise rhythmic categories that function as a reference relative to which the deviations in timing can be appreciated.