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Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, published in 1851, and is by far the most famous of the set. In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons.
Rhapsody No. 2, Sz. 89 and 90, BB 96, is the second of two virtuoso works for violin and piano, subsequently arranged with orchestra accompaniment, written by Béla Bartók. It was composed in 1928 and orchestrated in 1929. The orchestral version was revised in 1935, and the version with piano in 1945.
The orchestral rhapsodies numbered 1–6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a).
Pages for logged out editors learn more. ... Hungarian Rhapsody No. 1; Hungarian Rhapsody No. 2; ... Hungarian Rhapsody No. 16; Hungarian Rhapsody No. 17;
The Suite Paysanne Hongroise is an arrangement of music by Béla Bartók, by Paul Arma.. The suite consists of folk song arrangements originally written for piano, and was transcribed for flute and piano by Paul Arma; later he also arranged it for flute and orchestra.
Measures 5–6 of Liszt's Hungarian Rhapsody No. 2. Tchaikovsky’s piece, “Marche slave”, has a main theme using the Hungarian minor scale. The Pink Panther Theme, originally played in the key of E minor, is noted for its quirky, unusual use of chromaticism which is derived from this scale. [14]
Rhapsody, Op. 1, Sz. 26, BB 36, is a composition for piano by Hungarian composer Béla Bartók. It was finished in 1904. A year later, he wrote a version for piano and orchestra. The catalogue number of this composition is Op. 1, Sz. 26.
[1] Portions of Liszt's Hungarian Rhapsodies (all except rhapsodies 3, 5 and 17) take their form from the csárdás and contain a friska section. [2] The friska is generally either turbulent or jubilant in tone. The Friska of Hungarian Rhapsody No. 2 is also the most well-known of the Hungarian Rhapsodies.
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