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Download as PDF; Printable version; In other projects ... move to sidebar hide. Help. Musicals in which recitative takes the place of spoken dialogue for all or most ...
Minimusical refers to works of musical theatre where elements of a musical, especially songs and dialogue, are incorporated into a short work for performance. [1] Minimusicals are generally designed to be performed by children or teens in a classroom, camp or concert setting. [2] [3] They often last only about ten minutes in duration, but some ...
Developmentally Appropriate Musical Practice (DAMP) is a series of musical experiences that educators can provide to young children (birth through Age 8) during the school day. These experiences can provide a positive influence on the social, emotional, physical, and intellectual development of these children
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative, aria, and arioso.
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
A William Hogarth painting based on The Beggar's Opera (c. 1728), a key antecedent of musical theatre. Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance.
A few operettas exhibit melodrama in the sense of music played under spoken dialogue, for instance, Gilbert and Sullivan's Ruddigore (itself a parody of melodramas in the modern sense) has a short "melodrame" (reduced to dialogue alone in many productions) in the second act; [19] Jacques Offenbach's Orpheus in the Underworld opens with a ...
Operetta is a precursor of the modern musical theatre or the "musical". [12] In the early decades of the 20th century, operetta continued to exist alongside the newer musicals, with each influencing the other. The distinctive traits of operetta are found in the musical theatre works of Jerome Kern, Richard Rodgers and Stephen Sondheim. [2]
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