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The style is clearly influenced by the Greco-Buddhist art of Gandhara. [44] The Indo-Scythian Western Satraps (1st century AD-405 AD may have played a role in the transmission of the art of Gandhara to the western Deccan region, as may also have the southern expansion of the Alchon Huns in the 6th-7th century. [42]
The Amaravati school of Buddhist art was one of the three major Buddhist sculpture centres along with Mathura and Gandhara and flourished under Satavahanas, many limestone sculptures and tablets which once were plastered Buddhist stupas provide a fascinating insight into major early Buddhist school of arts.
Kushan art blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2] Most of the Greco-Buddhist art of Gandhara is thought to have been produced by the Kushans, starting from the end of the 1st century CE. [16]
The major school of arts were the Gandhara School of Art and the Mathura School of Art. The Gandhara school had huge influence of Greek Iconography and the themes were mainly Buddhist. Most prominent among the objects is the Standing Buddha, made in Grey schist stone in Gandhara School of Arts and it belongs to the 2nd century CE. This period ...
The long-established Mathura school continued as one of the main two schools of Gupta Empire art, joined by the school of Varanasi and nearby Sarnath. [1] Under the Guptas, Mathura remained primarily a center of Buddhist artistic activity and worship, but a few Hindu, especially Vaishnavite , sculptures started to appear. [ 41 ]
The Mathura school became one of the two major schools of Gupta Empire art, together with the school of Benares, with Mathura school remaining the most important and the oldest. [225] It is characterized by its usage of mottled red stone from Karri in the Mathura district, and its foreign influences, continuing the traditions of the art of ...
Art historians regard the art of Amaravati as one of the three major styles or schools of ancient Indian art, the other two being the Mathura style, and the Gandharan style. [ 3 ] In addition to the ruins at Amarāvati, the style is also seen in the stupa remains at Bhattiprolu , Jaggayyapeta , Nagarjunakonda , Ghantasala , and Goli , in Andhra ...
Johanna Hanink has attributed the concept of "Greco-Buddhist art" to a European scholarly inability to accept that natives could have developed "the pleasing proportions and elegant poses of sculptures from ancient Gandhara", citing Michael Falser and arguing that the entire notion of "Buddhist art with a Greek 'essence'" is a colonial ...