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Written by Commodores lead singer Lionel Richie, the song is a slow ballad expressing a man's relief as a relationship ends. Rather than being depressed about the break-up, he states that he is instead "easy like Sunday morning"—something that Richie described as evocative of "small Southern towns that die at 11:30pm" on a Saturday night, such as his hometown Tuskegee, Alabama. [6]
"Sunday Morning" is a song recorded by American band Earth, Wind & Fire, released in August 1993 by Reprise Records as the second single from their sixteenth album, Millennium (1993). [1] The song reached No. 10 on the US Billboard Adult R&B Songs chart, No. 20 on the Billboard Hot R&B Singles chart and No. 35 on the Billboard Adult ...
"Rum" is a song recorded by American country music duo Brothers Osborne. The song was written by the duo, along with Barry Dean. [1] It was released in March 2014 as the lead single from their first extended play Brothers Osborne. The song was subsequently included on their debut album Pawn Shop in 2016.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [ 1 ] and encompasses instrumental recordings of standards , hit songs , non- rock vocals and instrumental covers of selected popular rock songs.
If one bottle is taken down, there are still infinite bottles of beer on the wall (thus creating an unending sequence much like "The Song That Never Ends"). "Aleph-null bottles of beer on the wall". Aleph-null is the size of the set of all natural numbers , and is the smallest infinity and the only countable one; therefore, even if an infinite ...
It was a distinct genre of American music. In the early 19th century, the yearly per capita consumption of alcohol in the US was as high as 3.9 gallons (14.8 liters) in the 1830s. [2] In response, many temperance organizations formed over the next eighty years. [3]