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CinemaScope (USA ["Bausch & Lomb formula" anamorphics, used for the fourth and all subsequent CinemaScope films]/France ["Chrétien formula" anamorphic, used for only the first three CinemaScope films]; pre-releases were 2.66:1, with separate 3-track sound, and 2.55:1, with composite 4-track sound, before standardization on 2.35:1; all general ...
CinemaScope was developed to use a separate film for sound (see Audio below), thus enabling the full silent 1.33:1 aperture to be available for the picture, with a 2:1 anamorphic squeeze applied that would allow an aspect ratio of 2.66:1. When, however, developers found that magnetic stripes could be added to the film to produce a composite ...
Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
One common misconception about the anamorphic format concerns the actual width number of the aspect ratio, as 2.35, 2.39 or 2.40. Since the anamorphic lenses in virtually all 35 mm anamorphic systems provide a 2:1 squeeze, one would logically conclude that a 1.375∶1 full academy gate would lead to a 2.75∶1 aspect ratio when used with ...
Tamasha is a 1952 Indian Hindi-language romantic comedy film directed by Phani Mazumdar, starring Meena Kumari, Dev Anand and Ashok Kumar.One of the big hits of the year from Bombay Talkies produced by Ashok Kumar and Savak Vacha, "Tamasha" had a narrative far ahead of its times, its action spread over 16 eventful days.
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
Rank: Title: Cast: 1. Aan: Dilip Kumar, Nadira, Nimmi: 2. Baiju Bawra: Meena Kumari, Bharat Bhushan, Kuldip Kaur, Surendra: 3. Jaal: Geeta Bali, Dev Anand: 4. Daag ...
Cinemascope, Panavision, Technirama, and other widescreen formats use anamorphosis to project a wider image from a narrower film frame. The IMAX company uses even more extreme anamorphic transformations to project moving images from a flat film frame onto the inside of a hemispheric dome, in its "Omnimax" or "IMAX Dome" process.
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