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Differences between micropolyphonic texture and conventional polyphonic texture can be explained by Ligeti's own description: Technically speaking I have always approached musical texture through part-writing. Both Atmosphères and Lontano have a dense canonic structure. But you cannot actually hear the polyphony, the canon.
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
One notable early polyphonic synthesizer, the Prophet 5 released in 1978, had five-voice polyphony. Another notable polyphonic synth, the Yamaha CS-80 released in 1976, had eight-voice polyphony, [20] as did the Yamaha GX-1 with total 18 voice polyphony, released in 1973. [21] Six-voice polyphony was standard by the mid-1980s.
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1]
Polyphonic overtone singing Pachelbel's Canon, performed by Wolfgang Saus Chirgilchin performing various styles of Tuvan throat singing.. Overtone singing, also known as overtone chanting, harmonic singing, polyphonic overtone singing, or diphonic singing, is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract to arouse the perception of additional ...
A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. [ 5 ] [ 6 ] Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony , in which one voice, often the highest, plays a distinct melody, and the accompanying voices work together to articulate an ...
Léonin's two-part version of Viderunt Omnes was written about 1170 (the composer's dates are fl. 1150s — d. ? 1201). In his variation, the bottom voice sings the familiar chant as a drone while the top voice echoes in rich polyphony—a symbol of religious unity; a form of communal togetherness.
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