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In Benois's words, "the Torvaldsen Christ, pacing in a frozen theatrical pose, the desiccated, precisely engraved landscape, the timid painting, the enormous labour spent on minor things, like writing out folds, - these are the things that, firstly, first of all, what catches one's eye, and it is only by looking closely that one sees something ...
Child Jesus Salvator Mundi (17th century), Portugal. Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger.
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
Viewing the crucifix image as "wholly depressing", the Church, led by Cardinal Glick (George Carlin), decides to retire it, and creates Buddy Christ as a more uplifting image of Jesus Christ. [1] The icon consists of a statue of Jesus, smiling and winking while pointing at onlookers with one hand and giving the thumbs-up sign with the other hand.
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the 'celestial sphere' of the heavens.
The Healing of the Paralytic – one of the oldest known depictions of Jesus, [18] from the Syrian city of Dura Europos, dating from about 235. Initially Jesus was represented indirectly by pictogram symbols such as the ichthys (fish), the peacock, or an anchor (the Labarum or Chi-Rho was a later development).
Salus Populi Romani (English: Salvific Health of the Roman People) is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome.This Byzantine icon of the Madonna and Child Jesus holding a Gospel book on a gold ground, now heavily overpainted, is kept in the Borghese (Pauline) Chapel of the Basilica of Saint Mary Major.
The figure of Christ, holding the flag symbolic of the resurrection, has the typical harmony and softness of Perugino's mature works, with a detailed chest and a bright drapery with deep pleats. The two angels at his sides are symmetrical, and were obtained from the same cartoon (used by the artist and his workshop also in other works, such as ...