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Lovecraftian horror, also called cosmic horror [2] or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible [3] more than gore or other elements of shock. [4] It is named after American author H. P. Lovecraft (1890–1937).
First appearing in Lovecraft's 1920 prose poem of the same name, he was later mentioned in other works by Lovecraft and by other writers and in the tabletop role-playing games making use of the Cthulhu Mythos. Later writers describe him as one of the Outer Gods. He is a shape-shifter with a thousand forms, most of them maddeningly horrific to ...
Horror author Stephen King called Lovecraft "the twentieth century's greatest practitioner of the classic horror tale." [ 218 ] King stated in his semi-autobiographical non-fiction book Danse Macabre that Lovecraft was responsible for his own fascination with horror and the macabre and was the largest influence on his writing.
The Cthulhu Mythos of H. P. Lovecraft is considered to have been highly influential for the speculative fiction genre. It has been called "the official fictional religion of fantasy, science fiction, and horror, a grab bag for writers in need of unthinkably vast, and unthinkably indifferent, eldritch entities". [25]
Chaugnar Faugn (The Elephant God, The Horror from the Hills) was created by Frank Belknap Long and first appeared in his novel The Horror from the Hills . Chaugnar Faugn (or Chaugnar Faughn) appears as a horribly grotesque idol, made of an unknown element, combining the worst aspects of octopus, elephant, and human being.
However, the Lovecraft character is much closer to her coined term than the Greek root, and her description of its meaning coincides with Lovecraft's idea of the apocalyptic, multitentacled threat of Cthulhu to collapse civilization into an endless dark horror: "Chthulucene does not close in on itself; it does not round off; its contact zones ...
It was a terrible, indescribable thing vaster than any subway train—a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so ...
The Dhol Chants was first mentioned in the short story "The Horror In The Museum" by Lovecraft and Hazel Heald. They are alluded to in passing as a semi-mythical collection of chants attributed to the almost-human people of Leng. The chants themselves are never described, nor do they appear in any other of Lovecraft's works.
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