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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. Gunther Schuller devoted page after page to it in his book Early Jazz, writing, “The clarion call of “West End Blues’ served notice that jazz had the potential capacity to compete with the highest order of previously known musical ...
"Honey Hush", is a blues song, written by Big Joe Turner (although he assigned the copyright to his wife, Lou Willie Turner), recorded in May 1953 in New Orleans, Louisiana, and released that August by Atlantic Records. It was a number-one song on Billboard's Rhythm and Blues chart for eight weeks. [1]
The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. [1]
Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
There is a twelve-bar blues harmonic progression, with frequent bent notes and slides into notes. Armstrong plays second cornet on the April 6, 1923, recording, with Honoré Dutrey on trombone, Johnny Dodds on clarinet, Lil Hardin on piano, Baby Dodds on drums and Bill Johnson on banjo and vocal.
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" [1] being "common to folk, rock, and jazz forms of the blues". [2] It is often notated in 4 4 or 12 8 time with eight bars to the verse.
"Next Time You See Me" is a blues song written by Earl Forest and Bill Harvey, originally recorded in 1956 by Junior Parker (as "Little Junior Parker" as he was then known). [1] The song was Parker's first record chart appearance after joining Duke Records and one of his most successful singles in both the R&B and pop charts. [ 2 ] "