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The concerto was written to be played on the basset clarinet, which can play lower notes than an ordinary clarinet, but after the death of Mozart it was published with changes to the solo part to allow performance on conventional instruments. The manuscript score is lost, but from the latter part of the 20th century onwards many performances of ...
Sabine Meyer plays the clarinet and basset clarinet in B ♭ and A, as well as a basset horn in F, all made of grenadilla by Herbert Wurlitzer, and clarinets in B ♭ and in A made of boxwood, manufactured by Schwenk & Seggelke (now: Seggelke Klarinetten), which she mainly uses in chamber music. In 1984, Meyer commissioned Wurlitzer to build a ...
Violin Concerto No. 4 in D major, K. 218 (1775) Violin Concerto No. 5 in A major, "Turkish", K. 219 (1775) Mozart also wrote a concertone for two violins and orchestra, an adagio and two stand-alone rondos for violin and orchestra. Concertone for two Violins and Orchestra in C major, K. 190/186E (1774) Adagio for violin and orchestra in E major ...
Wolfgang Meyer (13 August 1954 – 17 March 2019) was a German clarinetist and professor of clarinet at the Musikhochschule Karlsruhe. He worked internationally as a soloist, in chamber music ensembles, and in jazz, with a repertoire from early music played on historical instruments to world premieres.
2003: Music for Clarinet and Piano, with Julien Quentin, EMI Classics; 2007: Krommer Concerto for two clarinets, Spohr Clarinet Concerto No. 4, with Sabine Meyer (Clarinet) and Kenneth Sillito and Academy of St. Martin in the Fields, EMI Classics; 2009: Best Encores 100, with various artists, EMI Classics
Presumably the Concertone was performed by the Salzburg court orchestra. Music with string solos was fashionable at the time, led by Mozart's employer Archbishop Colloredo, who himself played the violin. It was written before the 1775 violin concertos in Salzburg, and was first published in 1870 in Leipzig by August Cranz Hofmeister.
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
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