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In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but ...
Originally, the album has two versions of the song. The Album Version and the "Org. Sting Intl. Mix" version featuring dancehall artist Sean Paul and Will Smith. A collection of song versions is also found together on a separate EP. One can be found on the Yahoo!'s LAUNCHcast with the instrumentals. Original Version (feat. Brian and Tony Gold)
A mixtape with La Roux titled "Lazerproof" was made available for free download on May 26. [19] It used the instrumental tracks from the self-titled debut album and "brazenly mashes them up with beats and rhymes that are almost wholly up-to-the-minute hip, encompassing rap, R&B, dancehall, and dubstep". [20]
Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities.
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
Dancehall Sweethearts is the name of the third studio album by Irish rock band Horslips. Recorded during the 1974 World Cup Finals, the songs were loosely based on the travels of the famed 18th century blind harper, Turlough O' Carolan. The title and cover were chosen by the band in reaction to the record company's worry that an album about a ...
Dub music, a subgenre of reggae, originated in the late 1960s and early 1970s as producers experimented with remixing tracks. It emphasizes instrumental versions of songs, featuring heavy use of reverb, echo, and bass. Dub is known for its innovative sound manipulation techniques, often creating a hypnotic and immersive listening experience.
Dancehall pop adopted the instrumental "drum and bass lines" [51] that were originally taken from reggae music accompaniment. [4] The trend of voice-over ad-libs, mostly in the form of talking rather than singing, has remained a distinct characteristic in both dancehall and the dancehall pop music style that grew from DJs in Jamaican dance ...
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