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Visual glossary of Japanese sword terms. Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons [1] [2] including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya.
A distinguishing feature of many kenjutsu syllabi is the use of a paired katana or daitō and wakizashi or shōtō, commonly referred to as nitōjutsu (二刀術, two sword methods). Styles that teach it are called nitōryū (二刀流, two sword school); contrast ittō-ryū (一刀流, one sword school).
Jigen-ryū (示現流 lit: revealed reality style) is a traditional school of Japanese martial arts founded in the late 16th century by Tōgō Chūi (1560–1643), a.k.a. Tōgō Shigekata, in Satsuma Province, now Kagoshima prefecture, Kyushu, Japan. [1] It focuses mainly on the art of swordsmanship.
Nobutsuna perfected a style of sword fighting that was freer in its movements, more sparse, more restrained, more adapted to brawls and to duels, than to the fields of large scale battles. Nobutsuna created the ancient schools of sword known as satsujin-ken, or the killing swords. These are characterized by postures and offensive techniques ...
[13] [29] [40] Samurai could wear decorative sword mountings in their daily lives, but the Tokugawa shogunate regulated the formal sword that samurai wore when visiting a castle by regulating it as a daisho made of a black scabbard, a hilt wrapped with white ray skin and black string. [41] Japanese swords made in this period are classified as ...
Shinkage-ryū (新陰流) meaning "new shadow school", is a traditional school of Japanese martial arts, founded by Kamiizumi Ise-no-Kami Fujiwara-no-Hidetsuna, later Kamiizumi Ise-no-Kami Nobutsuna [1] (上泉 伊勢守 信綱, 1508–1578) in the mid-sixteenth century.
The events of Japanese society have shaped the craft of sword making, as has the sword itself influenced the course of cultural and social development within the nation. The Museum of Fine Arts states that when an artisan plunged the newly crafted sword into the cold water, a portion of his spirit was transferred into the sword.
This allows the sword to have the strength and the ability to hold a sharp edge, as well as to cause the sword to tend to bend rather than flex under stress. The process starts in the combining of the iron and carbon, by heating iron sand to 1200-1500 degrees Celsius in a traditional furnace, or tatara , for 72 hours.