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Japanese citizens were rallied to the "Defensive State" or "Consensus State", in which all efforts of the nation supported collective objectives, by guidance from national myths, history, and dogma — thus obtaining a "national consensus". Democratic institutions were installed in 1890 with the promulgation of a constitution and continued to ...
The historical origins of kokutai go back to pre-1868 periods, especially the Edo period ruled by the Tokugawa shogunate (1603–1868).. Aizawa Seishisai (会沢正志斎, 1782–1863) was an authority on Neo-Confucianism and leader of the Mitogaku (水戸学 "Mito School") that supported direct restoration of the Imperial House of Japan.
Ethnic nationalism in Japan (Japanese: 民族主義, Hepburn: minzoku shugi) [a] or minzoku nationalism [1] means nationalism that emerges from Japan's dominant Yamato people or ethnic minorities. In present-day Japan statistics only counts their population in terms of nationality, rather than ethnicity, thus the number of ethnic Yamato and ...
The Japanese "national character" has been written about under the term Nihonjinron, literally meaning 'theories/discussions about the Japanese people' and referring to texts on matters that are normally the concerns of sociology, psychology, history, linguistics, and philosophy, but emphasizing the authors' assumptions or perceptions of ...
The legal aspects of Japanese nationality are currently governed by the Nationality Act of 1950. It states that a person is a Japanese national if either of his or her parents is a Japanese national, provides for naturalization of aliens, and explains how Japanese nationality may be lost.
Japan has been in a state of statism/nationalism (国家主義) and militarism (軍国主義) since the Meiji Restoration, but it was this "ultra-" (超) that led Japan to the military path of Japanese nationalism. And this "ultra-" is the Japanese practice of national-socialist ideology. [7]
A Hulu documentary looks at the story of a Japanese comedian named Nasubi who became the unwitting star of a reality show in 1998.
In On the Defense of Culture (文化防衛論, Bunka bōei ron, 1968), [206] Mishima preached the centrality of the Emperor to Japanese culture, [207] and argued that Japan's postwar era was a time of flashy but ultimately hollow prosperity (a "Shōwa Genroku"), lacking any truly transcendent literary or poetic talents comparable to the 18th ...