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"Soul Serenade" is a jazz instrumental written by King Curtis (Curtis Ousley) and Luther Dixon. Curtis played the lead on a B-flat saxello , a version of the alto sax . [ 2 ] The song was released on Curtis' 1964 album "Soul Serenade".
A trumpeter and bandleader in his own right, Mitchell released a number of popular singles for Hi Records as an artist in the 1960s, including "Soul Serenade." [3] It peaked at number 43 in the UK Singles Chart in April 1968. [4] Through the 1980s, Mitchell ran his own independent record label, Waylo Records. [3]
"Memphis Soul Stew" is a song by American saxophonist and bandleader King Curtis (1934–1971). The track is a narrative that describes the Memphis Soul sound in terms of a cooking recipe, with each instrument introduced by Curtis. This includes "fatback drums", "a pinch of organ" and "a half-pint of horns".
Allman went on to honor Curtis by interweaving a medley of "Soul Serenade" into the band's rendition of "You Don't Love Me", first in a show at the Academy of Music on East 14th Street in Manhattan on August 15, [19] and later during a live in-studio recording at A&R Studios in Manhattan on August 26, recorded for posterity and released on LP ...
Soul Serenade is the name of several songs and albums produced by different artists, including: Soul Serenade (Derek Trucks album), a 2003 album by The Derek Trucks Band; Soul Serenade (Gloria Lynne album), 1965; Soul Serenade, a 2000 album by Gospellers "Soul Serenade" (King Curtis song), a 1968 jazz song by King Curtis
Soul Serenade is the fourth studio album by American jam band The Derek Trucks Band, released in 2003. Soul Serenade may also be considered the band's third album, as it was recorded in its entirety before Joyful Noise, but was held up in legalities, [2] and therefore released later. Soul Serenade continues this band's exploration of genre ...
On Jambands.com, Larson Sutton said, "The nine-song program was inspired work, showcasing the conflagration of six musicians focused as one... The A&R show, presumably taped in droves by home stereos, was widely bootlegged, and in the following decades considered quite a treasure of both performance and historical context.
Maxine Brown began singing as a child, performing with two New York City based gospel groups called the Angelairs and the Royaltones when she was a teenager. [2] In 1960, she signed with the small Nomar record label, who released the deep soul ballad "All in My Mind" (which was written by Brown) late in the year. [3]