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Longplayer. 24 years, 8 months and 18 days. Longplayer is a very long piece of music by British composer and musician Jem Finer which is composed to play for 1000 years without looping. It started to play at midnight on 1 January 2000, and if all goes as planned, it will continue without repetition until 31 December 2999.
Standing bell. A standing bell or resting bell is an inverted bell, supported from below with the rim uppermost. Such bells are normally bowl-shaped, and exist in a wide range of sizes, from a few centimetres to a metre in diameter. They are often played by striking, but some—known as singing bowls —may also be played by rotating a suede ...
Music of Tibet. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture. The new-age ' singing bowl ' music ...
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Tingsha (or ting-sha) (Tibetan: ཏིང་ཤགས་, Wylie: ting-shags) are small cymbals used in prayer and rituals by Tibetan Buddhist practitioners. Two cymbals are joined together by a leather strap or chain. The cymbals are struck together producing a clear and high pitched tone. Typical sizes range from 2.5–4 inches in diameter.
This list contains "traditional" musical instruments used in Nepal. Instruments overlap with nearby countries, including India and Tibet. An example is the Sarangi, a common bow Indian instrument. Although the Nepali people have their own local variant Sarangi (Nepal), both instruments are known in Nepal. Some of the instrument are madal, [ 1 ...
The dramyin or dranyen (Tibetan: སྒྲ་སྙན་, Wylie: sgra-snyan; Dzongkha: dramnyen; Chinese: 扎木聂; pinyin: zhamunie) [1] is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal.
Tibetan Buddhism developed its own musical notation system and manuscripts depicting this system have survived in use until the present day. [99] Tibetan monks are also noted for their skill at throat-singing or overtone singing. [9] This is a specialized form of singing in which the singer can sound like he is producing separate notes ...
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