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Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. [ 1 ]
The importance of the Imperial Regalia to Japan is evident from the declarations made by Emperor Hirohito to Kōichi Kido on 25 and 31 July 1945 at the end of World War II, when he ordered the Lord Keeper of the Privy Seal of Japan to protect them "at all costs". [11]
"The Day Tokyo-3 Stood Still" [a] is the eleventh episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Tetsuya Watanabe, was first broadcast on TV Tokyo on December 13, 1995.
The Great Fire of Meireki (明暦の大火, Meireki no taika), also known as the Great Furisode Fire, destroyed 60–70% of Edo (now Tokyo), the then de facto capital city of Japan, on 2 March 1657, [1] the third year of the Meireki Imperial era. The fire lasted for three days and, in combination with a severe blizzard that quickly followed, is ...
Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. In mythology, she is the direct ancestor of the Japanese imperial family.
Susanoo (スサノオ; historical orthography: スサノヲ, 'Susanowo'), often referred to by the honorific title Susanoo-no-Mikoto, is a kami in Japanese mythology.The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories ...
In the Kojiki, Ōkuninushi used to rule the world, but he relinquished control during the Kuni-yuzuri to transfer control to the Amatsukami.He made a request that a magnificent palace – rooted in the earth and reaching up to heaven – be built in his honor, and then withdrew himself into the "less-than-one-hundred eighty-road-bendings" (百不足八十坰手 momotarazu yasokumade, i.e. the ...
The work is a re-imagining of the 20th century of Tokyo as influenced by the occult. Most of the subject matter builds upon references to classic Japanese and Chinese folklore, although the centerpiece of the mythology is the legend of Taira no Masakado, a 10th-century warlord and ferocious onryo who was placated into a guardian kami through centuries of worship.