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Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry , and also as the weapons Christ used to achieve his conquest over Satan .
Mark 3:20–21 is determined to be "pink" ("a close approximation of what Jesus did") and is called "Jesus' relatives come to get him" as are Mark 3:31–35, Matt 12:46–50, and the Gospel of Thomas 99:1-3 where they are called "True relatives". Mark often has Jesus using analogies, metaphors or riddles, called parables by Mark. [24] Jesus ...
The Passion (from Latin patior, "to suffer, bear, endure") [1] is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week .
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In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic Flagellation of Christ on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of ...
[75] [76] It takes place in Matthew 4:18–22, Mark 1:16–20 and Luke 5:1–11 on the Sea of Galilee. John 1:35–51 reports the first encounter with two of the disciples a little earlier in the presence of John the Baptist. Particularly in the Gospel of Mark the beginning of the ministry of Jesus and the call of the first disciples are ...
Jesus, after his three predictions of his Passion in Mark 8:31, 9:31, and 10:33-34, now says that he wants to live, but then tells God to do whatever God wants, submitting to God's will. Jesus shows total confidence in God, first seeming to say that God can change his plans even at this point if he wishes, and secondly that whatever God decides ...
Mark 16:1–8 probably represents a complete unit of oral tradition taken over by the author. [17] It concludes with the women fleeing from the empty tomb and telling no one what they have seen, and the general scholarly view is that this was the original ending of this gospel, with the remaining verses, Mark 16:9–16, being added later.