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The ambiguity in the style of writing a function should not be confused with a multivalued function, which can (and should) be defined in a deterministic and unambiguous way. Several special functions still do not have established notations. Usually, the conversion to another notation requires to scale the argument or the resulting value ...
A paragraph (from Ancient Greek παράγραφος (parágraphos) 'to write beside') is a self-contained unit of discourse in writing dealing with a particular point or idea. Though not required by the orthographic conventions of any language with a writing system, paragraphs are a conventional means of organizing extended segments of prose.
Exactly the same guidelines that hold for a descriptive or narrative essay can be used for the descriptive or narrative paragraph. That is, such a paragraph should be vivid, precise, and climactic, so that the details add up to something more than random observations. [12] Examples include: Journal writing; Poetry
Anecdote – a brief narrative describing an interesting or amusing event. Antanaclasis – a figure of speech involving a pun, consisting of the repeated use of the same word, each time with different meanings. Anticlimax – a bathetic collapse from an elevated subject to a mundane or vulgar one.
A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. [1] [2] It is a statement that, despite apparently valid reasoning from true or apparently true premises, leads to a seemingly self-contradictory or a logically unacceptable conclusion.
Value-laden labels – such as calling an organization a cult, an individual a racist, sexist, terrorist, or freedom fighter, or a sexual practice a perversion – may express contentious opinion and are best avoided unless widely used by reliable sources to describe the subject, in which case use in-text attribution.
Malapropism: using a word through confusion with a word that sounds similar. Meiosis: use of understatement, usually to diminish the importance of something. Merism: type of synecdoche referring to two or more contrasting parts to describe it's whole; Metalepsis: figurative speech is used in a new context.
When the topic changes, a new paragraph should be started. Overly long paragraphs should be split up, as long as the cousin paragraphs keep the idea in focus. One-sentence paragraphs are unusually emphatic, and should be used sparingly. Some paragraphs are really tables or lists in disguise. They should be rewritten as prose or converted to ...
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