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Cattle Decapitation's songs protest the exploitation and consumption of animals, the abuse of the environment and subjects such as misanthropy and genocide of the human race. Much of the band's music is based on putting humans in the situations that animals are subjected to, for example animal testing, slaughter, etc.
Monolith of Inhumanity is the fifth studio album by American death metal band Cattle Decapitation, released on May 8, 2012. [1] Upon its release, it was met with positive reviews praising the addition of melody into their sound. [2]
Humanure is the second studio album by American deathgrind band Cattle Decapitation. [3] [4] [5] It was released on July 13, 2004 through Metal Blade Records and has been noted for its iconic cover art, depicting a cow defecating what appears to be human body parts in a wasteland environment — the image has been compared to the artwork for Pink Floyd’s album Atom Heart Mother.
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Death Atlas is the seventh studio album by American death metal band Cattle Decapitation.It was released on November 29, 2019, via Metal Blade Records.Its release coincided with Black Friday and came more than four years after their previous studio album, 2015's The Anthropocene Extinction.
The Harvest Floor is the fourth studio album by American deathgrind band Cattle Decapitation.It was released through Metal Blade Records on January 20, 2009. The album was recorded and mixed at Sharkbite studios in Oakland, California, with engineering and production handled by Billy Anderson. [1]
Bing Videos (previously MSN Video and Live Search Video) is a video search service and part of Microsoft's Bing search engine. The service enables users to search and view videos across various websites. Bing Videos was officially released on September 26, 2007 as Live Search Video, and rebranded as Bing Videos on June 1, 2009.
The Anthropocene Extinction is the sixth studio album by American death metal band Cattle Decapitation. It was released on August 7, 2015, on Metal Blade Records. [2] It became Cattle Decapitation's first album to chart on the Billboard 200, debuting at No. 100 (No. 44 on "Top Albums").