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For a brief period, platonic love was a fashionable subject at the English royal court, especially in the circle around Queen Henrietta Maria, the wife of King Charles I. Platonic love was the theme of some of the courtly masques performed in the Caroline era, though the fashion for this soon waned under pressures of social and political change.
Commonly used in English, it is also translated as "this for that" or "a thing for a thing". Signifies a favor exchanged for a favor. The traditional Latin expression for this meaning was do ut des ("I give, so that you may give"). Quid rides? Mutato nomine de te fabula narratur. Why do you laugh? Change but the name, and the story is told of ...
Ficino translated Definitions into Latin and published his translation in Venice in 1497 with Aldus Manutius, and named Speusippus as the author in the introduction. [ 14 ] The first edition of the Greek text was brought out in Venice by Aldus Manutius in September 1513 as part of the complete works of Plato edited by Markos Musuros .
Lorenzo de' Medici was the patron of both Botticelli and Ficino, and extant letters suggest Ficino may have been consulted about the subjects of Botticelli's paintings. Though almost all of Plato's dialogues were unavailable in Western Europe during the Middle Ages, Neo-Platonism and its allegorical philosophy became well-known through various ...
Jane M. Day 1994 Plato's Meno in Focus (London: Routledge) – contains an introduction and full translation by Day, together with papers on Meno by various philosophers Don S. Armentrout and Robert Boak Slocum [edd], An Episcopal Dictionary of the Church, A User Friendly Reference for Episcopalians (New York, Church Publishing Incorporated)
In the classical world, erotic love was generally described as a kind of madness or theia mania ("madness from the gods"). [5] This erotic love was described through an elaborate metaphoric and mythological schema involving "love's arrows" or "love darts", the source of which was often the personified figure of Eros (or his Latin counterpart, Cupid), [6] or another deity (such as Rumor). [7]
The Symposium [a] is a Socratic dialogue by Plato, dated c. 385 – 370 BC. [1] [2] It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet.
"Sebben, crudele" is an aria from Antonio Caldara's 1710 opera, La costanza in amor vince l'inganno (Faithfulness in love conquers treachery). It comes from the third scene of the opera's first act, and is sung by the character Aminta, a nobleman whose wife is unfaithful.