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Te Awekotuku, Ngahuia, "Tā Moko: Māori Tattoo", in Goldie, (1997) exhibition catalogue, Auckland: Auckland City Art Gallery and David Bateman, pp. 108–114. Te Awekotuku, Ngahuia, "More than Skin Deep", in Barkan, E. and Bush, R. (eds.), Claiming the Stone: Naming the Bones: Cultural Property and the Negotiation of National and Ethnic ...
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
Manu Farrarons. Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist.Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences.
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
The tā moko (or ‘kauae’ for women) is a sacred facial tattoo still frequently practiced in Māori society. [9] Its name is derived from the mythological figure ‘Atua Rūaumoko’ – the latest child of Ranginui et Papatūānuku of Rarohenga. [9] [10] The origin of the art is recorded in several variations.
Tattoos in Tahiti have become an accepted symbol of Ma'ohi culture. Tattoos demonstrate a commitment to Tahitian cultural identity and can be seen has decorative. Those that are young and involved in other aspects of Tahitian culture such as dance are the majority of people that have tattoos.
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Continuing with writing after his retirement, he returned to his interest in tattoos and wrote two books relating to his time in New Zealand, Moko or Maori Tattooing in 1896 and Pounamu: Notes on New Zealand Greenstone. In the first book, as well as demonstrating and explaining the art of Māori tattooing, he also wrote chapters on the dried ...