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Dramatic theory attempts to form theories about theatre and drama.Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies.
Drama theory asserts that a character faced with a dilemma feels specific positive or negative emotions that it tries to rationalize by persuading itself and others that the game should be redefined in a way that eliminates the dilemma; for example, a character with an incredible threat makes it credible by becoming angry and finding reasons ...
The use of drama as a metaphor in order to understand human behavior and motivation forms the basis for this theory. According to West, [11] there are three basic reasons that drama is a useful metaphor to the idea of Dramatism. Drama indicates a wide range of human experience.
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
Poetics is the earliest surviving Western work of dramatic theory. The earliest non-Western dramaturgic work is probably the Sanskrit work Natya Shastra (The Art of Theatre), written around 500 BCE to 500 CE, which describes the elements, forms, and narrative elements of the ten major types of ancient Indian drama. [11]
Examples of plays that followed the theory include: Thomas Otway's Venice Preserv'd (1682), Joseph Addison's Cato, and Samuel Johnson's Irene (1749). Shakespeare's The Tempest (1610) takes place almost entirely on an island, during the course of four hours, and with one major action — that of Prospero reclaiming his role as the Duke of Milan ...
The Birth of Tragedy Out of the Spirit of Music (German: Die Geburt der Tragödie aus dem Geiste der Musik) is an 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as The Birth of Tragedy, Or: Hellenism and Pessimism (German: Die Geburt der Tragödie, Oder: Griechentum und Pessimismus).
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.