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Chinese traditional music includes various music genres which have been inherited for generations in China. [1] Specifically, this term refers to the music genres originated in or before Qing dynasty. [2] According to the appearance, the genres can be classified into instrumental ensemble, instrumental solo, theatre, shuochang, dance music and ...
The music of China consists of many distinct traditions, often specifically originating with one of the country's various ethnic groups.It is produced within and without the country, involving either people of Chinese origin, the use of traditional Chinese instruments, Chinese music theory, or the languages of China.
This is a list of Chinese folk songs, categorized by region. In the 1990s, with the spread of music television in China, a new type of folk song began to emerge, known as new folk songs (新民歌) or TV program folk songs (晚会民歌).
Chinese musicology is the academic study of traditional Chinese music. This discipline has a very long history. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age.
The song was one of the first Chinese folk songs to become widely known outside China. [23]: 81–82 Beginning in 1896, the song was sometimes used as a temporary national anthem by the Qing Chinese officials in Europe before the adoption of "Cup of Solid Gold" as the official national anthem of the Qing state in 1911. [10]
Shan'ge (Chinese: 山歌; pinyin: shāngē) is a genre of Chinese folk song. They are commonly sung in rural provinces; the word "Shan'ge" means "mountain song". A number of different subtypes are:
The Northeastern Cradle Song is a lullaby known to many people in China.It is a folk song representative of Northeast China.. This cradle song is said to be originally sung in Pulandian, now part of Greater Dalian, at the time when Pulandian was called New Jin Prefecture (in Chinese: 新金县), located north of Jinzhou (in Chinese: 金州)).
The genre that followed "Drizzle", blending Chinese folk music and jazz, was rejected in the early People's Republic of China, which deemed it "yellow music". [17] The music critic Wang Yuhe described "Drizzle" and similar songs as part of a "veritable plague of pornographic song and dance numbers" that "poison[ed] the masses" in the 1920s. [18]