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The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
From the Nazi seizure of power onward, these composers found it increasingly difficult, and often impossible, to get work or have their music performed. Many went into exile (e.g., Arnold Schoenberg, Kurt Weill, Paul Hindemith, Berthold Goldschmidt); or retreated into "internal exile" (e.g., Karl Amadeus Hartmann, Boris Blacher); or ended up in the concentration camps (e.g., Viktor Ullmann, or ...
Different Drummers: Jazz in the Culture of Nazi Germany. Oxford University Press. ISBN 978-0-19-516553-1. Kater, Michael H. (1996). The Twisted Muse : Musicians and Their Music in the Third Reich: Musicians and Their Music in the Third Reich. Oxford University Press. ISBN 978-0-19-977451-7. Levi, Erik (1990). "The Aryanization of Music in Nazi ...
The Jazz Book, Lawrence Hill & Company, New York; The World Is Sound: Nada Brahma: Music and the Landscape of Consciousness, Inner Traditions; The Third Ear: On Listening to the World; Klangräume (1996) The Return of Jazz: Joachim-Ernst Berendt and West German Cultural Change, Andrew Wright Hurley, Berghahn Books (2011)
As some of the originating bands drifted away from the genre in the 1980s, industrial music expanded to include bands influenced by new wave music, hip hop music, jazz, disco, reggae, and new age music, sometimes incorporating pop music songwriting. [87] A number of additional styles developed from the already eclectic base of industrial music.
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His unique sound initially faced criticism, but in 1936, when Basie's band was established, Lester Young became a jazz star. [11] His music with Basie, Holiday, and various small groups such as the Kansas City Seven is among the greatest and most consistent bodies of recorded work in jazz history (174 icons of music).
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