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Early sets were mainly formed of covers, including "I Shall Be Released" by Bob Dylan, "A Whiter Shade of Pale" by Procol Harum and "Nights in White Satin" by The Moody Blues, mixed with original material, including van Leer's first song written with the group in mind, the instrumental "Focus". [7] In their search for more work and a steady ...
"Walk, Don't Run" is an instrumental composition written and originally recorded by jazz guitarist Johnny Smith in 1954, which achieved worldwide fame when The Ventures recorded a cover version in 1960. [1] It was adapted and re-recorded by Chet Atkins in 1956, and was a track on the LP Hi-Fi In Focus.
From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). [1]
In 1997, [16] Davis met jazz saxophonist, Doug Banwell, who convinced him to resume playing piano. [14] The duo started playing gigs regularly, and Davis began to focus on music full-time. [12] Davis credited the law, in part, for his success in the music business.
On Dec. 9, 1964, saxophonist John Coltrane, bassist Jimmy Garrison, pianist McCoy Tyner and drummer Elvin Jones assembled at Englewood Cliffs, New Jersey’s Van Gelder Studio.
Most jazz singers use a rhythm section (piano, bass, drums, and guitar) and sometimes vocal percussion. [6] Vocal jazz ensembles consist of multiple voices alongside instrumental accompaniment. Vocal jazz repertoire typically includes music from the Great American Songbook. Popular music arrangements are often made for vocal jazz ensembles.
In theory, any style of music is eligible for this category, but winning compositions are usually in the jazz or film score genres. The Grammy is awarded to the composer(s) of the music, not to the performing artist, except if the artist is also the composer. There have been several minor changes to the name of the award:
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...