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Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
Coffee is an important agricultural product in the Philippines, and is one of the Philippines' most important export products [40] aside from being in high demand in the country's local consumer market. [41] The Philippines is one of the few countries that produce the four main viable coffee varieties; Arabica, Liberica , Excelsa and Robusta.
Dance in the Philippines includes choreography, direction, and performance. Philippine dance is influenced by the country's folk performing arts and its Hispanic traditions; a number of styles also have global influences.
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
The Buff-banded rail (Gallirallus philippensis), one of the birds locally known in the Philippines as tikling, which were the inspiration for the movements of the dance. The name tinikling is a reference to birds locally known as tikling, which can be any of a number of rail species, but more specifically refers to the slaty-breasted rail (Gallirallus striatus), the buff-banded rail ...
The lapal is a dance of the balian as a form of communication with the diwata, while the sot is a dance performed by Subanon men before going off to battle. The balae is a dance performed by young Subanon women looking for husbands. They whisk dried palm leaves, whose sound is supposed to please the deities into granting their wishes.
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The Philippines, with the National Commission for Culture and the Arts [1] as the de facto Ministry of Culture, [2] ratified the 2003 Convention after its formal deposit in August 2006. [3] This implies that there is an obligation to carry out the objectives of the convention to ensure the safeguarding of intangible cultural heritage.