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Frame rate, most commonly expressed in frame/s, frames per second or FPS, is typically the frequency (rate) at which consecutive images are captured or displayed. This definition applies to film and video cameras , computer animation , and motion capture systems.
CIF (Common Intermediate Format or Common Interchange Format), also known as FCIF (Full Common Intermediate Format), is a standardized format for the picture resolution, frame rate, color space, and color subsampling of digital video sequences used in video teleconferencing systems. It was first defined in the H.261 standard in 1988.
For example, the Nikon D3 and D700 cameras' nominally full-frame sensors actually measure 36 × 23.9 mm, slightly smaller than a 36 × 24 mm frame of 35 mm film. As another example, the Pentax K200D 's sensor (made by Sony ) measures 23.5 × 15.7 mm, while the contemporaneous K20D 's sensor (made by Samsung ) measures 23.4 × 15.6 mm.
This is a list of Avid DNxHD resolutions, mainly available in multiple HD encoding resolutions based on the frame size and frame rate of the media being encoded. The list below shows the available encoding choices for each of the available frame size and frame rate combinations. [1] [2] Its sister codec, Avid DNxHR, supports resolutions beyond ...
Full frame: 24.4 F-mount: 100 1005 51 50 6400 5 3 yes no CF (2x) 160x157x88 1220 Dec 2008: Nikon: D3S: Full frame: 12.1 F-mount: 100 1005 51 100 102400 9 3 yes yes CF (2x) 160x157x88 1246 Oct 2009: Nikon: D850: Full frame: 45.7 F-mount: 100 180000 153 64 25600 7: 3.2 yes yes CF + XQD: 146x124x79 1005 Oct 2017: Nikon: D810: Full frame: 36.3 F ...
The time resolution used for movies is usually 24 to 48 frames per second (frames/s), whereas high-speed cameras may resolve 50 to 300 frames/s, or even more. The Heisenberg uncertainty principle describes the fundamental limit on the maximum spatial resolution of information about a particle's coordinates imposed by the measurement or ...
When transferred to NTSC television, the rate is effectively slowed to 23.976 FPS (24×1000÷1001 to be exact), and when transferred to PAL or SECAM it is sped up to 25 FPS. 35 mm movie cameras use a standard exposure rate of 24 FPS, though many cameras offer rates of 23.976 FPS for NTSC television and 25 FPS for PAL/SECAM.
The camera is capable of shooting and recording with either 60 Hz or 50 Hz scanning rates. The default rate depends on the region where the camera is sold, but the camcorder can be made 50 Hz / 60 Hz switchable for additional fee. [4] Video is recorded to MiniDV cassettes with a maximum record time of 80 minutes.