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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
In the films of his German period, Lang produced an oeuvre that established the characteristics later attributed to film noir, with its recurring themes of psychological conflict, paranoia, fate and moral ambiguity. Lang started having an affair with the Austrian actress Gerda Maurus during the filming of Spione(1928).
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Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
Film noir refers to cinematic works based on novels of both the hardboiled and noir traditions, exhibiting realism and postwar disillusionment as influenced by German Expressionism. James M. Cain is regarded as an American pioneer of the hardboiled and noir genres. [8]
Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Algol (film)
Markus Goller, whose latest film “Die Ironie des Lebensand” was a box office hit in Germany and sold over 1.2 million tickets, is directing the Netflix movie. More from Variety