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Slow jams with quiet storm elements continued to be produced through the 2000s and 2010s. [4] Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
WLNR-FM in Chicago also changed in August 1985 to a 24-hour quiet storm program called "The Soft Touch", featuring more instrumental music and even straight-ahead jazz, a mix which sales manager Gregory Brown described as "not so laid-back" as other quiet storm shows. A notable feature of WLNR was that the four regular deejays were women.
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Madonna was the best-selling female pop music artist of the decade. Her third studio release, True Blue, became the best-selling female album of the 1980s. Other Madonna albums from the decade include Like a Virgin, one of the best selling albums of all-time, and Like a Prayer ("As close to art as pop music gets," said Rolling Stone). Madonna ...
"Quiet Village" is an orchestral pop instrumental that was written and originally performed by Les Baxter in 1951 and an instrumental album from 1959 by Martin Denny. In the liner notes to his album, Ritual of the Savage (Le sacre du sauvage) , Baxter described the themes he was conveying in the work: [ 1 ]
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music [1] to predominantly ballad-heavy music of the 1980s to the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence.
The name given to the renewed interest in swing music from the 1930s and 40s. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music. 1990s -> Jazz noir [4] A form of slow or erratic contemporary jazz.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
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