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Mounting for a sword of the itomaki no tachi type with design of mon (family crests). 1600s. Museum of Fine Arts, Boston. The tachi (太刀) style koshirae is the primary style of mounting used for the tachi, where the sword is suspended edge-down from two hangers (ashi) attached to the obi. [5]
Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left). A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan.
Visual glossary of Japanese sword terms. Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons [1] [2] including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya.
From Wikipedia, the free encyclopedia. Redirect page
According to the current appraisal system from 1982, [16] high-value swords and sword mountings are classified into 4 grades from the top: Tokubetsu Juyo (Special Important), Juyo (Important), Tokubetsu Hozon (Special Preservation), and Hozon (Preservation). They publish the achievement conditions for each grade in Japanese.
One of the Five Swords under Heaven (天下五剣), legendary sword with which Minamoto no Yorimitsu killed the boy-faced oni Shuten-dōji (酒呑童子) living near Mount Oe. Presented to Oda Nobunaga by the Ashikaga family subsequently in possession of Toyotomi Hideyoshi and Tokugawa Ieyasu , curvature: 2.7 cm (1.1 in)
The wakizashi (Japanese: 脇差, 'side inserted sword' [1]) is one of the traditionally made Japanese swords [2] [3] worn by the samurai in feudal Japan.Its name refers to the practice of wearing it inserted through one's obi or sash at one's side, whereas the larger tachi sword was worn slung from a cord.
A tachi is a type of sabre-like traditionally made Japanese sword worn by the samurai class of feudal Japan. Tachi and uchigatana generally differ in length, degree of curvature, and how they were worn when sheathed, the latter depending on the location of the mei (銘), or signature, on the tang.
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