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The subject of "A fair Puritan" wearing typical subdued "sadd" colors. Sadd colors or sad colors were the colors of choice for the clothing of the members of the Massachusetts Bay Colony in seventeenth century America ("sadd"/ "sad" carried the meaning of "seriousness" rather than "sorrowfulness").
Aerial view of the Poverty Point earthworks, built by the prehistoric Poverty Point culture, located in present-day Louisiana.. The Poverty Point culture is the archaeological culture of a prehistoric indigenous peoples who inhabited a portion of North America's lower Mississippi Valley and surrounding Gulf coast from about 1730 – 1350 BC.
Textile arts and fiber arts include fabric that is flexible woven material, as well as felt, bark cloth, knitting, embroidery, [1] featherwork, skin-sewing, beadwork, and similar media. Textile arts are one of the earliest known industries. [1] Basketry is associated with textile arts. [2]
Traditional Native American clothing is the apparel worn by the indigenous peoples of the region that became the United States before the coming of Europeans. Because the terrain, climate and materials available varied widely across the vast region, there was no one style of clothing throughout, [1] but individual ethnic groups or tribes often had distinctive clothing that can be identified ...
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In North America, the time encompasses the Paleo-Indian period, which subsequently is divided into more specific time terms, such as Early Lithic stage or Early Paleo-Indians, and Middle Paleo-Indians or Middle Lithic stage. [6] Examples include the Clovis culture and Folsom tradition groups. The Lithic stage was followed by the Archaic stage.
Both Tepperman and Rogers embedded their novels in longer story arcs that went on for many issues, involving the invasion of America. In Tepperman's case the invading force was the Purple Empire; in Rogers' case it was the Japanese, and the sequence was unresolved when the magazine was cancelled in 1939, with the Japanese dropping atom bombs on ...
The Two Row Belt, as it is commonly known, depicts the kaswentha relationship in visual form via a long beaded belt of white wampum with two parallel lines of purple wampum along its length – the lines symbolizing a separate-but-equal relationship between two entities based on mutual benefit and mutual respect for each party’s inherent ...