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Record sales Table is a meta-analysis of eight IFPI annual reports In 2008, 123m physical albums were sold in the UK, compared with 131m in 2007 and 151m in 2006. At an average price of £7.72, CDs were more than 25% cheaper in 2008 than in 2000.
How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy (Also published as How Music Got Free: What Happens When an Entire Generation Commits the Same Crime?, How Music Got Free: The Inventor, The Mogul and the Thief, and How Music Got Free: A Story of Obsession and Invention) is a non-fiction book by ...
This article outlines trends in popular music during the 2020s, primarily in The United States and English-speaking countries. The early years of the decade presented challenges for the music industry, as the COVID-19 pandemic led to widespread concert cancellations due to health concerns. By mid-2023, the industry recorded its highest annual ...
The main branches of the music industry are the live music industry, the recording industry, and all the companies that train, support, supply and represent musicians. The recording industry produces three separate products: compositions (songs, pieces, lyrics), recordings (audio and video) and media (such as CDs or MP3s , and DVDs ).
The world's largest recorded music markets are listed annually by the International Federation of the Phonographic Industry (IFPI). The ranking is based on retail value (rather than units) each market generates respectively per year; retail value generated by each market varies from year to year.
New Music Economy is a term describing the emergent social, technical, political and economic context of the creative industries.This shift in context has been fueled by concurrent evolution within an ecosystem of interdependent technologies, institutions, and individuals; the result of which impacts the nature of creative property, identity, production, distribution and imagination.
Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society.
MIDI music has also been used for similar reasons, but some data is lost in the conversion to MIDI from any other format, unless the music was written with the MIDI standards in mind, which is rare. Digital audio formats such as WAV, mp3, and ogg are used when the audio itself is part of the analysis. Lossy formats such as mp3 and ogg work well ...