Search results
Results from the WOW.Com Content Network
The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
This template's initial visibility currently defaults to autocollapse, meaning that if there is another collapsible item on the page (a navbox, sidebar, or table with the collapsible attribute), it is hidden apart from its title bar; if not, it is fully visible. To change this template's initial visibility, the |state= parameter may be used:
According to MGM records, Fiend Without a Face was released on a double bill with The Haunted Strangler. Together, the two films earned $350,000 in the United States and Canada, and $300,000 in England and elsewhere. The estimated production budget for Fiend Without a Face was £50,000 [18] ($140,000); MGM realized a profit of $160,000 on the ...
Scissors Fiend is a fiend Vendetta made to attack Charlotte that looks like a bird. [24] It can cut things with its scissor-like beak. Charlotte believes it to be a puppy and made it into a good friend and pet, renaming it Buttons 2. [24] It now enjoys cutting up construction paper. It sleeps in a drawer with many paper shreds in Charlotte's room.
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
The Monstrous Compendium Fiend Folio Appendix (ISBN 1-56076-428-7) was published by TSR, Inc. in April 1992, for use with the 2nd edition AD&D rules. It is the fourteenth volume of the Monstrous Compendium series (abbreviated "MC14"), consisting of a cardboard cover, sixty four loose-leaf pages, and four divider pages.
The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
These precise drawings help the scenic designer effectively communicate with other production staff, especially the technical director, production manager, charge scenic artist, and prop master. In Europe and Australia , [ 4 ] [ 5 ] many scenic designers are also responsible for costume design , lighting design and sound design .