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Mara, [note 1] in Buddhism, is a malignant celestial Asura king who tried to stop Prince Siddhartha from Awakening by trying to seduce him with his celestial Army and a vision of beautiful women who, in various legends, are often said to be Mara's daughters. [1] In Buddhist cosmology, Mara is associated with death, rebirth and desire. [2]
In religions where a single god is the primary object of worship, the representation of death is usually that god's antagonist, and the struggle between the two is central to the folklore of the culture. In such dualistic models, the primary deity usually represents good, and the death god embodies evil.
Buddhist symbolism is the use of symbols (Sanskrit: pratīka) to represent certain aspects of the Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree. [1] Buddhism symbolism is intended to represent the key values of the Buddhist faith.
Women in Buddhism is a topic that can be approached from varied perspectives including those of theology, history, archaeology, anthropology, and feminism.Topical interests include the theological status of women, the treatment of women in Buddhist societies at home and in public, the history of women in Buddhism, and a comparison of the experiences of women across different forms of Buddhism.
A Buddha is a being who is fully awakened and has fully comprehended the Four Noble Truths.In the Theravada tradition, while there is a list of acknowledged past Buddhas, the historical Buddha Sakyamuni is the only Buddha of our current era and is generally not seen as accessible or as existing in some higher plane of existence.
In Chinese, he is known as Dàfàntiān (大梵天), meaning "Brahma-deva", and Sìmiànshén (四面神), meaning "Four-faced god" as depicted in the Thai tradition. While he is considered to be the creator god in Hinduism, he is not regarded as such in Buddhism, which rejects the notion of any creator deities.
Mahakala statue, holding a flaying knife (kartika) and skullcup (kapala). In Buddhism, wrathful deities or fierce deities are the fierce, wrathful or forceful (Tibetan: trowo, Sanskrit: krodha) forms (or "aspects", "manifestations") of enlightened Buddhas, Bodhisattvas or Devas (divine beings); normally the same figure has other, peaceful, aspects as well.
The parable of the arrow (or 'Parable of the poisoned arrow') is a Buddhist parable that illustrates the skeptic and pragmatic themes of the Cūḷamālukya Sutta (The Shorter Instructions to Mālukya) which is part of the middle length discourses (Majjhima Nikaya), one of the five sections of the Sutta Pitaka.