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Get Back is a 1991 concert film starring Paul McCartney that documents The Paul McCartney World Tour of 1989–1990. [1] The film was directed by Richard Lester, who had done two films with McCartney when he was with The Beatles in A Hard Day's Night (1964) and Help! (1965). Lester went into retirement after the release of this film.
The Beatles: Get Back is a documentary television series directed and produced by Peter Jackson.It covers the making of the Beatles' 1970 album Let It Be (which had the working title of Get Back) and draws largely from unused footage and audio material originally captured for and recycled original footage from the 1970 documentary of the album by Michael Lindsay-Hogg.
In 2021, the three-part documentary series The Beatles: Get Back, directed and produced by Peter Jackson, was released on Disney+. The series covers the making of the album Let It Be by McCartney's former band the Beatles , utilizing footage and audio captured for a 1970 documentary film of the same name .
McCartney has done Beatles-inspired capsules before: Her women’s pre-fall and men’s fall 2019 collections were inspired by the 4K-digitized, re-released version of “Yellow Submarine.”
Paul McCartney’s current Got Back concert tour may have nothing to do with a similarly titled Sir Mix-a-Lot song, but the legendary Beatle likes big shows and he cannot lie. Following his trio ...
In November 2021, The Beatles: Get Back, a new documentary directed by Peter Jackson using footage captured for the Let It Be film, was released on Disney+ as a three-part miniseries. [101] It was originally going to be theatrically released in 2020 to coincide with the 50th anniversary of the Let It Be album, but was delayed to November 2021 ...
At the first of two sold-out shows – part of his celebrated Got Back tour and his first UK gig since 2018 – The Beatles legend ‘duetted’ with his late bandmate, John Lennon, and gave fans ...
The album is presented in a form which Paul McCartney considered closer to its original artistic vision: to "get back" to the rock and roll sound of their early years [3] rather than the orchestral overdubs and embellishments which were added by Phil Spector to three of the songs in the production of the final Let It Be album.
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