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John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
Film style and film genre should not be confused; they are different aspects of the medium. Style is the way a movie is filmed, as in the techniques that are used in the production process. Genre is the category a film is placed in regarding the narrative elements. [7]
Drew Struzan (/ ˈ s t r uː z ən /; born March 18, 1947 [1]) is an American artist, illustrator and cover designer.He is known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, Harry Potter, and Star Wars film series. [2]
Art pop draws on postmodernism's breakdown of the high/low cultural boundary and explores concepts of artifice and commerce. [12] [nb 1] The style emphasizes the manipulation of signs over personal expression, drawing on an aesthetic of the everyday and the disposable, in distinction to the Romantic and autonomous tradition embodied by art rock or progressive rock.
[20] [61] The 1972 musical Cabaret is also seen as an example of the aesthetic, with film critic Esther Leslie describing the camp in the film thus: Camp thrives on tragic gestures, on lament at the transience of life, on an excess of sentiment, an ironic sensibility that art and artifice is preferable to nature and health, in a Wildean sense. [18]
The Sting, 1973 [1]. Richard Amsel was born in Philadelphia.Shortly after graduating from Philadelphia College of Art, his proposed poster art for the Barbra Streisand musical Hello, Dolly! was selected by 20th Century Fox for the film’s campaign after a nationwide artists’ talent search; the artist was 22 at the time.
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