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Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
A number of additives are used to reduce the green tint, particularly if the glass is to be used for plain window glass, rather than stained-glass windows. These additives include manganese dioxide which produces sodium permanganate , and may result in a slightly mauve tint, characteristic of the glass in older houses in New England .
Detail, East window, St Peter's, Burnham Caricature of John Richard Clayton [2]. In the 1850s a number of young designers worked in conjunction with the Gothic Revival architects in the provision of stained glass for new churches and for the restoration of old.
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass, the company existed from the 18th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
Stained Glass Museum Ely, Cambridgeshire c. 1920: Also in the Stained Glass Museum is an oval glass panel entitled "Hammer and Tongs". Two medieval characters are shown attacking each other. One pulls his opponent’s hair with a pair of tongs whilst the other hits his knee-cap with a hammer. Parsons used it to illustrate the poem he had written-
"His Master's Voice" window, RCA Victor building, Camden, NJ, 1916 (National Museum of American History) Nicola D'Ascenzo (September 25, 1871, Torricella Peligna, Italy – April 13, 1954, Philadelphia, Pennsylvania) was an Italian-born American stained glass designer, painter and instructor.
Main article: Henry Payne (artist) West Window, Hook Church: The "Good Shepherd" window by Henry Payne. A mix of a typical English country scene, with lambs and a stream, but with lions behind the wicker fence and a biblical king complete with what appears to be a zither. List of works by Henry Payne Details of some of the major works of the stained glass artist Henry Payne. Payne worked for a ...
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