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Dmitri Shostakovich composed his Symphony No. 4 in C minor, Op. 43, between September 1935 and May 1936, after abandoning some preliminary sketch material.In January 1936, halfway through this period, Pravda—under direct orders from Joseph Stalin [1] —published an editorial "Muddle Instead of Music" that denounced the composer and targeted his opera Lady Macbeth of Mtsensk.
The holograph sketches and score, as well as a photocopy of the latter authorized by Shostakovich in the 1960s are held in his family archives in Moscow. [10] The sketch, which is damaged by two horizontal folds [11] and includes sketches for the Symphony No. 4, [10] is complete on a single sheet of 30-staff score paper, while the score is on 4 pages of 36-staff paper.
DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes D, E-flat, C, B natural, or in German musical notation D, Es, C, H (pronounced as "De-Es-Ce-Ha"), thus standing for the composer's initials in German transliteration: D. Sch. (Dmitri Schostakowitsch).
Transcription of Igor Stravinsky's Symphony of Psalms: Piano duet 1937 Shostakovich made the transcription for use in his classes at the Leningrad Conservatory, where he taught composition and orchestration. [79] In 1962, he presented the score to Stravinsky during the latter's trip to the Soviet Union. [80] 49 String Quartet No. 1 in C major
Concerto Grosso No. 2 for violin, cello and triple symphony orchestra (1981–1982) Concerto Grosso No. 3 for two violins, harpsichord, celesta, piano and 14 strings (1985) Concerto Grosso No. 4 [Symphony No. 5] for violin, oboe, harpsichord and orchestra (1988) Concerto Grosso No. 5 for violin, [offstage] piano and orchestra (1990–1991)
The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich are a set of 24 musical pieces for solo piano, one in each of the major and minor keys of the chromatic scale.The cycle was composed in 1950 and 1951 while Shostakovich was in Moscow, and premiered by pianist Tatiana Nikolayeva in Leningrad in December 1952; [1] it was published the same year.
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