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The significance of the Lenten shrouds has been explained in a variety of ways. [7] The French liturgist Prosper Guéranger explained that "the ceremony of veiling the Crucifix, during Passiontide, expresses the humiliation, to which our Saviour subjected himself, of hiding himself when the Jews threatened to stone him, as is related in the Gospel of Passion Sunday".
The use of Lenten veils was uninterrupted in many localities, as in Sicily where the opening of the Lenten curtain during the Easter tradition is an established popular tradition. Also, Lenten shrouds remained a universal use of the Catholic, Lutheran and certain Anglican traditions as a form of visual penance derived from the Lenten veil. [8] [9]
Queen Elena of Italy and Crown Princess Marie-José wearing white garments in the presence of Pope Pius XII at the Quirinal Palace on 27 December 1939.. Le privilège du blanc (pronounced [lə pʁivilɛʒ dy blɑ̃]; "the privilege of the white") is a custom of the Catholic Church that permits certain designated female royalty to wear white clothing (traditionally a white dress and white veil ...
The veil sometimes includes a white underveil as well. The colour of the veil depends as well from the habit of the order and the status of the sister or nun (novices or postulants wear differently coloured veils than the professed sisters and nuns). The coif and veil were common items of clothing for married women in medieval Europe.
Also a black mantilla is traditionally worn when a woman has an audience with the Pope and a white mantilla is appropriate for a church wedding, but can be worn at other ceremony occasions as well. In accordance with what is known as the privilège du blanc , only the queen of Spain and selected other Catholic wives of Catholic sovereigns can ...
Veronica holding her veil, Hans Memling, c. 1470 The Veil of Veronica, or Sudarium (Latin for sweat-cloth), also known as the Vernicle and often called simply the Veronica, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than human means (an acheiropoieton, "made without hand").
Engraving depicting the marriage of the Duke of Bourbon and Mademoiselle de Nantes at Versailles in 1685, with a nuptial veil held over the couple. The nuptial veil, which is also referred to as the care cloth, carde clothe or wedding canopy, is an ancient Christian wedding tradition where a cloth is held over the heads of the bride and groom during the Nuptial Blessing.
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
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