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A television content rating system in Brazil was implemented following a consultation in 2006. [6] Since then, the television networks themselves rate the shows, while the indicative rating (Portuguese: Classificação Indicativa) judges the content to guarantee that the rating is appropriate for that specific show. [7]
Films with this rating may be sold without any age restriction provided they do not contain any material "evidently harmful to the development of children and youths". [55] The FSK rating also limits the time of the day in which the movie may be aired on free-to-air TV stations to a time frame between 22:00 (FSK 16) or 23:00 (FSK 18) and 6:00.
A content rating (also known as maturity rating) [1] [2] rates the suitability of TV shows, movies, comic books, or video games to this primary targeted audience. [3] [4] [5] A content rating usually places a media source into one of a number of different categories, to show which age group is suitable to view media and entertainment.
The United States pay television content advisory system is a television content rating system developed cooperatively by the American pay television industry; it first went into effect on March 1, 1994, on cable-originated premium channels owned by the system's principal developers, Home Box Office, Inc. and Showtime Networks.
A small fraction of the population is selected, and only those accepted are used as the sample size. In many local areas during the 1990s, the difference between a rating that kept a show on the air and one that would cancel it was so small as to be statistically insignificant. Yet, the show with the higher rating would survive. [48]
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A rating scale is a set of categories designed to obtain information about a quantitative or a qualitative attribute. In the social sciences , particularly psychology , common examples are the Likert response scale and 0-10 rating scales, where a person selects the number that reflecting the perceived quality of a product .
The audience measurement of U.S. television has relied on sampling to obtain estimated audience sizes in which advertisers determine the value of such acquisitions. . According to The Television Will Be Revolutionized, Amanda D. Lotz writes that during the 1960s and 1970s, Nielsen introduced the Storage Instantaneous Audimeter, a device that sent daily viewing information to the company's ...