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Dr. Evermor's Forevertron is the 2nd largest scrap metal sculpture in the world, standing 50 ft. (15,2 m.) high and 120 ft. (36,5 m.) wide, and weighing 300 tons. [1] Built in the 1980s, it is housed in Dr. Evermor's Art Park on Highway 12, in the town of Sumpter, in Sauk County, Wisconsin, United States.
The park was founded in 2003, when artist Tom Lakenen moved his collection of scrap iron sculptures from his yard to a plot of land near the Lake Superior coast. Lakenenland contains more than 80 sculptures in the creator's "junkyard art" style.
Nov. 9—MOSES LAKE — The organizers of the scrap metal art competition work to make it a challenge. That was the lesson of the oxygen tank that attracted the attention of the team from Pasco.
A specific subgenre of found objects is known as trash art or junk art. [19] These works primarily comprise components that have been discarded. Often they come quite literally from the trash. One example of trash art is trashion, fashion made from trash. Marina DeBris takes trash from the beach and creates dresses, vests, and other clothes ...
Chamberlain's first major solo show was held at the Martha Jackson Gallery, New York, in 1960. [20] His singular method of putting discarded automobile-body parts together led to his inclusion in the paradigmatic exhibition "The Art of Assemblage", at the Museum of Modern Art in 1961, where his work was shown alongside modern masters such as Marcel Duchamp and Pablo Picasso. [21]
His collage-like sculpture is assembled from metal, wood, and plastic that he collects from trash, yard sales, and flea markets. [3] For some commissions, he uses objects, often of sentimental value or with personal meaning, contributed by the patron who has commissioned the art. [4] Sewell has produced over 4,000 works over the last 50 years.
Bladesmith, Nuremberg, Germany, 1569 Bladesmithing is the art of making knives, swords, daggers and other blades using a forge, hammer, anvil, and other smithing tools. [1] [2] [3] Bladesmiths employ a variety of metalworking techniques similar to those used by blacksmiths, as well as woodworking for knife and sword handles, and often leatherworking for sheaths. [4]
In February 1960, Museum of Modern Art curator for painting and sculpture Peter Selz commissioned artist Jean Tinguely to make a self-destructing machine to perform in the museum's sculpture garden. Tinguely found its components among scraps, junk, garbage dumps , and shops in New Jersey and New York City .
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