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"Lovin', Touchin', Squeezin '" is a song by American rock group Journey released as a single in 1979 from the album Evolution. Lyrically, the song is about a woman who is cheating on her boyfriend, the narrator, but at the end of the song the woman's lover is cheating on her.
Evolution is the fifth studio album by American rock band Journey, released in March 1979 by Columbia Records.It is the band's first album to feature drummer Steve Smith.. It was the band's most successful album at the time, reaching No. 20 on the US Billboard 200 chart, and has sold three million copies in the US.
The song appears briefly in the film Caddyshack, is featured as a multi-language acapella cover in Pitch Perfect 2, it is performed in a mash-up with "Lovin' Touchin' Squeezin' for the season one finale of Glee, and it is featured briefly in "Fun and Games", an episode of the sixth season of Better Call Saul.
The song "Dixie Highway" had not previously been (nor was it subsequently) recorded on any Journey studio album. Closing the album is the lone studio track, "The Party's Over (Hopelessly in Love)", which was released as a single. In the liner notes, the album is dedicated to AC/DC lead singer Bon Scott, who died in February 1980. Scott is ...
Escape (stylized as E5C4P3 on the album cover) is the seventh studio album by American rock band Journey, released on July 20, 1981, by Columbia Records. [5] It topped the US Billboard 200 chart [6] and featured four hit Billboard Hot 100 singles – "Don't Stop Believin '" (No. 9), "Who's Crying Now" (No. 4), "Still They Ride" (No. 19) and "Open Arms" (No. 2) [7] – plus rock radio staple ...
Dream, After Dream, performed by the American rock band Journey, is the soundtrack album to the Japanese romantic fantasy film Yume, Yume No Ato directed by fashion designer Kenzo Takada.
The fifth song on that album, widely regarded as her magnum opus, is “All Too Well.” But even looking at the albums before Red , the pattern was already there.
The song brought life into perspective for the band and left them humbled. Neal Schon said that Kenny's death affected Journey by making them re-evaluate the issues that were causing friction inside the band itself. In honor of Kenny Sykaluk, the band used the song as their opener for the Raised on Radio Tour. [4]