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Face Value was a 1993 play by American playwright David Henry Hwang. It was to be the second Broadway production of the playwright's work, but it closed in previews on March 14, 1993 after only 8 previews, never officially opening. [1] The production was scheduled to open at the Cort Theatre on March 21, 1993. [2]
Yellow Face is a semi-autobiographical play by David Henry Hwang, featuring the author himself as the protagonist, DHH, mounting his 1993 play Face Value. The play's themes include questions of race and of the interaction between media and politics. [1] The play premiered in Los Angeles at the Mark Taper Forum in May 2007. [2]
Face Value is a 1983 anthology of collected journalism by South African journalist Jani Allan. The book is compiled from selections of Allan's successful [1] gossip and popular culture column Just Jani that appeared in the Sunday Times. She was voted "the most admired person in South Africa." in a Gallup poll commissioned by the newspaper. [2]
The face value of a coin, stamp, or bank note is the value printed on the object. Face Value may also refer to: Face Value, an American silent drama film; Face Value, an American silent drama film; Face Value, a 1981 album by Phil Collins; Face Value, a 1983 compilation book by Jani Allan; Face Value, a 1993 play by David Henry Hwang "Face ...
A Romanian stamp from 1947 showing a face value of 12 Lei. The face value, sometimes called nominal value, is the value of a coin, bond, stamp or paper money as printed on the coin, stamp or bill itself [1] by the issuing authority. The face value of coins, stamps, or bill is usually its legal value. However, their market value need not bear ...
A student with a thousand face, to the point that no one, including the school staff, knows his true face, Saburo is a mischievous, calm and cool student who enjoys wearing disguises of just about anyone, and sometimes alternates faces in-between scenes. Saburo most of the time disguises as Raizo considering the two are quite close friends.
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Collins regarded Face Value as a highly personal project, which gave rise to the iconic cover art with Collins' face in extreme close-up, originally intended to symbolise the listener "getting into his head"; the reverse side of the sleeve shows the rear of his head, although the CD version of the album placed this image on the insert card ...