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In 1760, the first serious study of the Scottish Highland bagpipe and its music was attempted in Joseph MacDonald's Compleat Theory. A manuscript from the 1730s by a William Dixon of Northumberland contains music that fits the border pipes, a nine-note bellows-blown bagpipe with a chanter similar to that of the modern Great Highland bagpipe ...
All grace notes are performed rapidly, by quick finger movements, giving an effect similar to tonguing or articulation on modern wind instruments. Due to the lack of rests and dynamics, all expression in great Highland bagpipe music comes from the use of embellishments and to a larger degree by varying the duration of notes.
Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe. In the canntairached method of instruction, the teacher sings or hums the tune to the pupil ...
One history of the usage of bagpipe music by the armies of the Commonwealth during World War I reported that the troops were played the "crooning, hoping, sobbing of 'Lord Lovat's Lament,' and so went on from hour to hour through the emptiness of Southern Germany."
The canntaireachd description of a two note figure in Highland bagpipe music. The two notes can be from C to A, or B to G, on the bottom hand. The second note is lower than the first, with a G gracenote before the first, and a D gracenote before the second. Taorluath
The bass drone (ronco or roncón) is situated on the player's left shoulder and is pitched two octaves below the key note of the chanter; it has a single reed. Some bagpipes have up to two more drones, including the ronquillo or ronquilla, which sticks out from the bag and plays an octave above the ronco, or the smaller chillón. These two ...
The History and Structure of Ceol Mor – A Guide to Piobaireachd, the Classical Music of the Great Highland Bagpipe. Glasgow: Piobaireachd Society. Johnson, David (1984). Scottish Fiddle Music in the 18th Century: A Music Collection and Historical Study. Edinburgh: John Donald Publishers. pp. 122– 146. MacNeill, Dugald B. (2007).
The tsampouna (or tsambouna; Greek: τσαμπούνα) is a Greek musical instrument and part of the bagpipe family. It is a double-chantered bagpipe, with no drone, [1] and is inflated by blowing by mouth into a goatskin bag. The instrument is widespread in the Greek islands. [2]