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Kabuki developed out of opposition to the staid traditions of Noh theatre, a form of entertainment primarily restricted to the upper classes. Traditionally, Izumo no Okuni is considered to have performed the first kabuki play on the dried-up banks of the Kamo River in Kyoto in 1603. Like Noh, however, over time, kabuki developed heavily into a ...
Noh theatre is accompanied by a chorus and a hayashi ensemble (Noh-bayashi 能囃子). Noh is a chanted drama, and a few commentators have dubbed it "Japanese opera ". However, the singing in Noh involves a limited tonal range, with lengthy, repetitive passages in a narrow dynamic range.
Kabuki (歌舞伎, かぶき) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers. The term kabuki originates from a verb that was ...
A poetic travel sequence (道行, "path going") found in multiple forms of Japanese theater, particularly Noh and kabuki. In Noh, it refers to a journey scene where characters describe their travel through specific locations, often incorporating references to classical poetry and famous places . In kabuki, michiyuki evolved into a specialized ...
The bridge symbolizes the mythic nature of Noh plays in which otherworldly ghosts and spirits frequently appear. In contrast, hanamichi in Kabuki theaters is literally a path (michi) that connects two spaces in a single world, thus has a completely different significance. [8] A contemporary Noh theatre with indoor roofed structure
During the early Edo period, Noh was frequently performed by women of the Kyoto pleasure quarters. Unlike kabuki or bunraku, the development of Noh drama is usually portrayed as one of steady ascent, and was typically seen as an upper-class style of theater, frequently drawing from Shinto legend. Noh was refined and supported by both the ...
Traditionally, both types of theatre are performed together, the kyōgen being interposed between the pieces of noh during a day of performances. [1] It has influenced the Bunraku, or Japanese puppet theatre as well as Kabuki. [2] Nōgaku theatre was inscribed in 2008 by UNESCO on the List of Masterpieces of the Oral and Intangible Heritage of ...
It is perhaps in the theatre that jo-ha-kyū is used the most extensively, on the most levels. Following the writings of Zeami, all major forms of Japanese traditional drama (Noh, kabuki, and jōruri) utilize the concept of jo-ha-kyū, from the choice and arrangement of plays across a day, to the composition and pacing of acts within a play, down to the individual actions of the actors.